Found Poetry Collages by Mary Bast: erasure poetry

Showing posts with label erasure poetry. Show all posts

Friday, April 17, 2015

the films of Woo

Source Text: page 109, National Geographic, June 2012, Print.
Words superimposed on oil painting “Awakening” by Mary Bast.

For PoMoSco's SPACED OUT badge I rolled two dice for each line in the source text, erasing or removing the word in that line corresponding with the number rolled. I repeated this process, rolling the dice and removing additional words from each line, until I arrived at the above poem.

Thursday, April 16, 2015

So Ordinary

"Woman in a Cage" painting by Mary Bast

ready to cry
his voice dipped regret

I shook my mouth
and sighed, you’re so ordinary

the moment of silence told me
that he was looking at my hump

From page 75 in Dunn, Katherine, Geek Love. New York: Knopf, 1989. Print.

To earn PoMoSco's CUT IT OUT badge, I cut around a section of page 75 in Katherine Dunn's Geek Love: A Novel (New York: Knopf, 1989) placed it over my oil painting "Woman in a Cage" and scanned it.

James W. Moore’s video, “Making Heaven,” captures his process of creating erasure poems using the cut-out approach.

Monday, September 8, 2014

misgivings

Erasure poem by Mary Bast from page 72 of Michael Cunningham's The Hours.

Note: this poem is from the same page in The Hours as "a scolded child"

About Me

Former Editor at Bacopa Literary Review, I write poetry, found poetry, and memoir. When my hands aren't on computer keys they're creating art.

The Found Poetry Review's 2015 PoMoSco (Poetry Month Scouts) project especially intrigued me -- the chance to experiment with a variety of found poetry structures.

Those exercises also enhanced my under-standing of poetry and writing in general. For example, the "First in Line" badge required creating a poem from first lines in one poet's collection.

My resulting poem, "The Days Have Done With You" (from Nina Bogin's collection In the North) made me much more aware of the way a poem's first line can either set up what's going to happen or drop us right into action, much the same as the start of a good novel.

Some Forms of Found Poetry

Found poetry is created by taking words or phrases from other sources and changing spacing and lines, adding or deleting text, thus imparting new meaning. Any poetic form can be used with found poetry.

There's also the cento—made up of lines from other poems. The sources may be poems of a single poet, or many poets, or even many different languages.

Erasure poems eliminate everything from a page or pages except the words that make up the poem. The "erasure" may be accomplished by white-out, correction tape (of various colors), lightening a photo and writing the poem's words over the original text, and many other variations.

Called blackout poems when covered with black tape (often refers to newspaper articles blacked out except for the words of the poem).

Ekphrasis usually refers to poetry inspired by visual art; I've extended the term to include art inspired by poetry.

Illustrated poetry describes poems and art side by side.

Haiga traditionally incorporated an ink-brush or watercolor painting, a haiku poem, and calligraphy. Modern poets stretch these boundaries, superimposing haiku on photos, for example.