Found Poetry Collages by Mary Bast: the glare of the serpent-haired sun

Thursday, April 2, 2015

the glare of the serpent-haired sun

clandestine sense of awe
play a role in courtship
a dull sing-song
searching for the eyes
provide momentum
shod with the glittering steel
the Divine not an exact equivalent
concrete time
with much shared pleasure
pink-cheeked and fussing for a nipple
astonishing leaps
flotsam on the beach, stranded
beginning to attract
transcendence and
hissing in the surf like two waves
shift in emphasis
Alive, thank God
change the point of view
stealing running and darkness

From pages 49, 79, 103, and 236 of Kate Braid and Sandy Shreve's In Fine Form: The Canadian Book of Form Poetry. Vancouver: Raincoast, 2005. Print.

PoMoSco instructions: Cut out desired words or phrases from a source text, put them in a container, shake, then pull them out one by one, placing them on the table in the order drawn to create a poem — no removing or reordering words permitted.

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About Me

Former Editor at Bacopa Literary Review, I write poetry, found poetry, and memoir. When my hands aren't on computer keys they're creating art.

The Found Poetry Review's 2015 PoMoSco (Poetry Month Scouts) project especially intrigued me -- the chance to experiment with a variety of found poetry structures.

Those exercises also enhanced my under-standing of poetry and writing in general. For example, the "First in Line" badge required creating a poem from first lines in one poet's collection.

My resulting poem, "The Days Have Done With You" (from Nina Bogin's collection In the North) made me much more aware of the way a poem's first line can either set up what's going to happen or drop us right into action, much the same as the start of a good novel.

Some Forms of Found Poetry

Found poetry is created by taking words or phrases from other sources and changing spacing and lines, adding or deleting text, thus imparting new meaning. Any poetic form can be used with found poetry.

There's also the cento—made up of lines from other poems. The sources may be poems of a single poet, or many poets, or even many different languages.

Erasure poems eliminate everything from a page or pages except the words that make up the poem. The "erasure" may be accomplished by white-out, correction tape (of various colors), lightening a photo and writing the poem's words over the original text, and many other variations.

Called blackout poems when covered with black tape (often refers to newspaper articles blacked out except for the words of the poem).

Ekphrasis usually refers to poetry inspired by visual art; I've extended the term to include art inspired by poetry.

Illustrated poetry describes poems and art side by side.

Haiga traditionally incorporated an ink-brush or watercolor painting, a haiku poem, and calligraphy. Modern poets stretch these boundaries, superimposing haiku on photos, for example.